O Little Town

At long last my book O Little Town is available. To order your copy simply click on the button below. I hope you enjoy it. I would be glad to hear any comments you have.

A while back I started to write about hymn-tunes that are named after Sussex place-names. Having been briefly diverted by an expedition to Suffolk and Essex, I am now back home and ready to think again about the tunes that grew near where I live. The first instalment of my post on Sussex hymn-tunes  focused mainly on tunes that Ralph Vaughan Williams collected from Harriet and Peter Verrall in Monks Gate, just outside Horsham. Vaughan Williams lived not far away, in Surrey, and many of the folk-songs that he adapted for use as hymn-tunes were collected in Sussex. So if you will indulge me, I will stay with RVW in this entry too. I live in Warnham, a village just outside Horsham, diametrically opposite from Monks Gate. There is a hymn-tune called WARNHAM, but only because I wrote it myself. It was my entry for a competition run by the Royal School of Church Music to mark the 150th anniversary of the publication of Hymns Ancient & Modern . The competition challenged composers to

My last post was entitled Sussex hymn-tunes - Part I , implying that there would at the very least be a Part II. And so there will be, in due course. But today I would like to write about East Anglia. I realise that East Anglia is not in the north, and is notoriously unhilly. But the title of the present entry does have a point, which we will come to by and by. Recently I had the pleasure of attending a concert at Snape Maltings given by the Suffolk Philharmonic Orchestra , who gave a wonderful rendition of the Prelude and Liebestod from Wagner's Tristan und Isolde , Brahms' Symphony no 4, and Richard Strauss's Four Last Songs (sung by Helena Dix , who stepped in at the last minute to cover for Susan Gritton, and produced a sublime, ravishing performance). This is of course Benjamin Britten country. As far as I'm aware Britten did not contribute to hymnody in any way (unless you count his arrangement of the National Anthem, which is sometimes heard at the Last

I am not a native of Sussex but I have lived here for about eighteen years now, which is longer than I spent in the town in Kent where I grew up. So for me, Sussex is now very much home. I have been delighted to discover that my researches into hymn-tunes have led me to many 'little towns' that are only a few miles from my doorstep. Many of the tunes named after Sussex places owe their titles to Ralph Vaughan Williams. In December of 1903 Vaughan Williams had heard a Mr Pottipher, of Brentwood in Essex, singing the folk-song Bushes and Briars ; when he heard it, he felt it was something he had known all his life. From then on he became an enthusiastic collector of folk-songs, working with Cecil Sharp, Lucy Broadwood, George Butterworth and others to preserve the musical heritage of the country. Around this time, in 1904, he was approached by the Rev Percy Dearmer and asked to become music editor of a new hymn-book. This eventually became The English Hymnal , now a classic o

As a former boss of mine used to say, there's a time and a place for spontaneity. My visit to Down Ampney wasn't planned: I had been in Droitwich (in Elgar country) for a family gathering, and a look at the map showed me that with only a slight detour I would be able to pass through Down Ampney, birthplace of Ralph Vaughan Williams. I seized the day. It was June, only a few days from the solstice. Not a scorching hot day, but warm and mostly sunny. Almost as soon as you enter the village of Down Ampney there is a sign beckoning you towards the historic church. It is down quite a long track, set amid fields where sheep were grazing beneath green trees. Peter Warlock infamously (and inaccurately) described Vaughan Williams’ music as ‘just a little too much like a cow looking over a gate'; and here in Down Ampney it is easy to imagine where that facet of his rich musical personality came from. All Saints Church, Down Ampney, Gloucestershire Pronunciation and punct

I've made a start at mapping the places that have hymns named after them. This is nowhere near comprehensive, and even the places I have included don't all (yet) have full information. But it's a start. Click on the dots to find out more about the place and the hymn.

FOREST GREEN is the name of the tune sung (in the UK, at least) to O little town of Bethlehem . Since this is the carol from which I have taken the title for my book (and this blog) I thought I should look into it. The tune is a folk-song called The Ploughboy's Dream , which Ralph Vaughan Williams 'collected' in 1903. Vaughan Williams noted that the singer from whom he learnt this song, Mr Garman of Forest Green, was a native of Sussex but living in Surrey. Thanks to Mr Simon Coombs of the Ralph Vaughan Williams Society , I have learnt that RVW collected this song at a place called Broadmoor in Surrey, and that he also heard songs sung by one Isaac Longhurst on the same occasion. Here's a map showing Broadmoor: View Larger Map I have tried to find out some more about Mr Garman of Forest Green. Vaughan Williams estimated his age to be about 60. By consulting the census records I have discovered the following: There is only one adult Mr Garman reco

The memorial windows in Crimond Church commemorate Jessie Seymour Irvine, composer of the tune CRIMOND, set to the words of Psalm 23 ( The Lord's my shepherd ). But as I hinted in my last post , there is more to it than this simple statement.  The 23rd Psalm? For a start, the tune was not originally composed for these words. When it first appeared (in 1872 in a book called The Northern Psalter) the only words given were the following: Thou art the Way, the Truth, the Life: grant us that way to know, that truth to keep, that life to win, whose joys eternal flow. This is the last verse of a hymn that begins 'Thou art the Way, to thee alone from sin and death we flee’, with words by G W Doane. The fact that The Northern Psalter only printed the last verse with CRIMOND seems to suggest that these words were only given as a suggestion, and that choirs were free to use any texts that fitted the music. As the rhythm of the tune is in Common Metre, that coul

I have recently returned from a sailing trip in Scotland aboard Goldfinch. My brother-in-law Bryan Davies and his friend Mike Neal are sailing her round Britain and I was lucky enough to be invited to join them for part of the trip. Towards the end of the month I will be re-joining them in Dublin for another stretch. ( Goldfinch has her own blog: see  http://goldfinchrounduk.blogspot.co.uk/ ) One of the ports we visited was Peterhead, on the east coast of Scotland. View Larger Map This gave me a perfect opportunity, because Peterhead is only a few miles away from Crimond. One of the most famous hymn-tunes of all is named CRIMOND, so it seemed a shame to miss the opportunity of visiting it. This tune is usually sung to the words of The Lord's my shepherd . Here's a link to an old recording of it, sung (slowly!) by the Glasgow Orpheus Choir: The bus journey from Peterhead takes only about half an hour. The countryside here is low-lying and green; the arch

Why are so many hymn-tunes named after places? Everybody knows at least some hymns. But unless you are regularly involved in choral music you may not realise that hymn-tunes have NAMES.  Unlike other types of song, the name of the tune rarely gives any clue about the words it is sung to. For example, the tune for O little town of Bethlehem  is called FOREST GREEN (if you're American, you probably know a different tune, called ST LOUIS). The tune for While shepherds watched their flocks by night  is called WINCHESTER OLD. The tune for Come down, O Love divine  is called DOWN AMPNEY.  The reason for this is that in the early days of hymn-singing it was common for one tune to be used for a number of different sets of words, so it was important to be able to talk about the tune separately from the lyrics.  From the outset it was very common for the titles of hymn-tunes to be taken from place-names.  All of the examples I have mentioned above are places: Forest Green is a