Skip to main content

Posts

Showing posts from July, 2015

Hymn map

I've made a start at mapping the places that have hymns named after them. This is nowhere near comprehensive, and even the places I have included don't all (yet) have full information. But it's a start. Click on the dots to find out more about the place and the hymn.

Forest Green

FOREST GREEN is the name of the tune sung (in the UK, at least) to O little town of Bethlehem . Since this is the carol from which I have taken the title for my book (and this blog) I thought I should look into it. The tune is a folk-song called The Ploughboy's Dream , which Ralph Vaughan Williams 'collected' in 1903. Vaughan Williams noted that the singer from whom he learnt this song, Mr Garman of Forest Green, was a native of Sussex but living in Surrey. Thanks to Mr Simon Coombs of the Ralph Vaughan Williams Society , I have learnt that RVW collected this song at a place called Broadmoor in Surrey, and that he also heard songs sung by one Isaac Longhurst on the same occasion. Here's a map showing Broadmoor: View Larger Map I have tried to find out some more about Mr Garman of Forest Green. Vaughan Williams estimated his age to be about 60. By consulting the census records I have discovered the following: There is only one adult Mr Garman reco

Crimond (continued)

The memorial windows in Crimond Church commemorate Jessie Seymour Irvine, composer of the tune CRIMOND, set to the words of Psalm 23 ( The Lord's my shepherd ). But as I hinted in my last post , there is more to it than this simple statement.  The 23rd Psalm? For a start, the tune was not originally composed for these words. When it first appeared (in 1872 in a book called The Northern Psalter) the only words given were the following: Thou art the Way, the Truth, the Life: grant us that way to know, that truth to keep, that life to win, whose joys eternal flow. This is the last verse of a hymn that begins 'Thou art the Way, to thee alone from sin and death we flee’, with words by G W Doane. The fact that The Northern Psalter only printed the last verse with CRIMOND seems to suggest that these words were only given as a suggestion, and that choirs were free to use any texts that fitted the music. As the rhythm of the tune is in Common Metre, that coul

Crimond

I have recently returned from a sailing trip in Scotland aboard Goldfinch. My brother-in-law Bryan Davies and his friend Mike Neal are sailing her round Britain and I was lucky enough to be invited to join them for part of the trip. Towards the end of the month I will be re-joining them in Dublin for another stretch. ( Goldfinch has her own blog: see  http://goldfinchrounduk.blogspot.co.uk/ ) One of the ports we visited was Peterhead, on the east coast of Scotland. View Larger Map This gave me a perfect opportunity, because Peterhead is only a few miles away from Crimond. One of the most famous hymn-tunes of all is named CRIMOND, so it seemed a shame to miss the opportunity of visiting it. This tune is usually sung to the words of The Lord's my shepherd . Here's a link to an old recording of it, sung (slowly!) by the Glasgow Orpheus Choir: The bus journey from Peterhead takes only about half an hour. The countryside here is low-lying and green; the arch

What it's all about

Why are so many hymn-tunes named after places? Everybody knows at least some hymns. But unless you are regularly involved in choral music you may not realise that hymn-tunes have NAMES.  Unlike other types of song, the name of the tune rarely gives any clue about the words it is sung to. For example, the tune for O little town of Bethlehem  is called FOREST GREEN (if you're American, you probably know a different tune, called ST LOUIS). The tune for While shepherds watched their flocks by night  is called WINCHESTER OLD. The tune for Come down, O Love divine  is called DOWN AMPNEY.  The reason for this is that in the early days of hymn-singing it was common for one tune to be used for a number of different sets of words, so it was important to be able to talk about the tune separately from the lyrics.  From the outset it was very common for the titles of hymn-tunes to be taken from place-names.  All of the examples I have mentioned above are places: Forest Green is a